Thursday, March 8, 2018

We're Moving!!!

Good afternoon my little Witchlings:-)
Just wanted to share some fantastic news, we are expanding and moving, FINALLY.
Find us at our new address -
We are looking for content!
Are you an artist, blogger, beginning youtuber or podcaster?  Message me!  Let's get you some exposure.
Lovingly yours,
Wendy, the NOT so good Witch

Wednesday, November 15, 2017

I just can't! WTF DC?!?!

Truth be told, I have been a very staunch defender of the colossal irritations called the DC Extended Universe.

Man of Steel came out and I said, "Hey, at least it was better than 'Superman Returns.'" Bits and pieces of it were fun. Personally, I really enjoyed Amy Adams as Lois Lane. Visually, it was dark, but stunning.

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Batman V. Superman: Dawn of Justice gave us Gal Gadot as Wonder Woman and a decided under-rated Ben Affleck as Batman. I never really was a fan of that AWFUL Christian Bale voice. Also, again dark, but stunning. See a trend here?

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Suicide Squad is a guilty pleasure of mine. Feel free to insult my intelligence in the comments section. I love the soundtrack, I love the colours (DC and colours in one article?!?), and I love, love, love Margot Robbie and Will Smith. They were excellent. "All my friends are Heathens, take it slow...." DAMN good soundtrack!!!

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Buy the Soundtrack HERE!!!

Well, now comes Wonder Woman, the Wonder Woman film I have been waiting for since I was a child running around my neighbourhood, spinning around in paper bracelets and headband. I am genuinely proud of this film. Not because it's fun, because it is a blast. It was not because the incomparable Patty Jenkins directed and wrote it. It was because of the respect and care they took in knowing the audience and respecting the source material.

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Now comes Justice League, the tent pole of the series. I HATE Aquaman, but this movie made me excited for damn Aquaman. Today, I have been faced with two news stories that I have not been able to avoid, because Hera knows I have been running from information. 

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The first one is the news that Rotten Tomatoes is not posting a score until Friday. Why? It has debuted in other countries, but you choose to wait. Do you really need clicks this bad, especially since there are dozens of reviews already out and most people have decided if they are going to "See It/Skip It. I know, first world problem.

The second item that I could not avoid, despite numerous attempts to, was the Amazon costume review. I have not been this blindsided by an obvious sexist attempt for jiggle dollars (not my term) since that incredibly stupid NBC Wonder Woman pilot from David E. Kelley. I understand that two different units designed the costumes. However, within the timeline, the Wonder Woman film's Amazonian uniforms were designed and established a full year before the American Gladiator wonderfest that we will be seeing on Friday.
Image result for ‘Justice League’ Amazons
Amazon costumes
DC, please click the links above for the comics you should read. READ the source material. STOP having Zack Snyder pull things out of his ass.
I BEG you!!! DON'T FUCK THIS UP!!!!!
A fan, despite my brain,
Wendy, the NOT so good Witch

Friday, November 10, 2017

The life of the frustrated mouthbreather!

How's that for a snapped title?

Image result for Eleven Mouth Breather
Thank you MisfitXThreads -

I am sitting at the day job, reflecting on my lousy day, wondering about my life choices and trying not to be grumpy. I admit it. Some of it is very first world problems based...some of it concerns my own mental issues with money and the struggles I have been through earlier in my life with security.

Life is good, don't get me wrong. I have a house. I have a kick-ass family. I have love. However, my soul yearns for happiness. I strive everyday with that goal in mind. I want to tell stories. I want to share the things I love. I WANT TO RULE THE WORLD!!!

Maybe, ignore that last part. The voices in my head are loud today;-)

This is why I am focusing my energies on two projects: Flaming Accordions, Maeghan Kimball and my always mutating love child, and Bitch Goddesses, a new lifestyle site focusing on ALL of the things I love, from my Witchly, CRAZY point of view.

I would love your feedback. I would love your perspective. I would love your ad revenue!

Thank you to all of my Witchlings and see you on the flip side,
Wendy, the NOT so good Witch

Witch Which Witches Witchcraft Marvel DC Wonder Woman Catwoman Horror Hollywood Sci-Fi

Wednesday, September 6, 2017

American Horror Story: Cult Episode 1 EASTER EGGS!!!

If you are stupid enough to read past Ms. Song, you deserve to have the episode spoiled. Do not scroll past the logo when I post about easter eggs.

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OK, my lovely readers, or my spoiler curious idiots (you know which one you are), this will be one of my final posts on this blog format. I have loved every second and I will be archiving my articles here, but you will be happy to know that I am expanding. Stay tuned.

I love writing about trashy fun stuff not having to do with Cheetolini and his band of merry idiots. Well, with this season, it's all about the election of 2016. Yay?!?!

The episode started off beautifully with audiences on both sides of the aisle getting what they want out of the election of Donald J. Trump; craziness, mayhem, and the complete destruction of the concept of D.C.

I'm not going to do a complete breakdown of the episode. How about watching the episode, with the lights on, not near any watermelons....

Let's Go!

1) TWISTY the Clown is back!!!

He is now a pop culture and dark web icon in AHS: Cult. Twitter went mental at this point. The amazing return of the AHS: Freak Show gem John Carroll Lynch as audience favourite Twisty. He is back to his murdering ways. I will not go into super detail, however the character is now seen as a pop culture icon with a comic book and footage shown to him by new addition Billie Lourd's Winter.

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2) The tongue from Twisty's victim

Not only have we gone back to AHS: Freak Show, but we got a small reference to AHS: Coven also. At the end of Twisty's scene, we see the woman's severed tongue fall to the ground, just like a particularly fun scene from AHS: Coven where we saw the coven's butler, Spalding (Denis O'Hare), cut off his own tongue with a razor in order to prove his love to Fiona (Jessica Lange). Yum...

3) Yes, THAT Billie Lourd!!!

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Billie Lourd has shifted to American Horror Story from Scream Queens in the Ryan Murphy universe. No earmuffs, but I am SO hoping for a reference. Billie does continue the tradition of winter-themed character names, including Lana Winters and Myrtle Snow.

4) OMG, the Piggy!

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In the grocery store scene, there were many loooonnnnggggg shots of the pig shouts on the grocer shelves. Will we see the Pigman from AHS: Roanoke after his unmasking in that season? 

5) Movie References

So far, there are A LOT of them. Most of them are because those damn clowns are everywhere. I saw a clown mask that is eerily close to the klowns who appear in Killer Klowns From Outer Space.  PLEASE TELL ME YOU HAVE SEEN THIS FILM!!!

Also, there is a very subtle reference to the twins in The Shining. The opening has Pennywise's red balloon from IT. I was told, but I really don't see the Michael Myers mask (not close enough for me) and Freddie Kruger on the carousel? Let me know if you have good shots of these. 

In the grocery store, there is a clown assaulting Ally Mayfair-Richards (Sarah Paulson) that looks, to me, like a homage to a lead Droog Alex from A Clockwork Orange. I was told I was nuts on Twitter, but I have seen that movie a million times. Prove me wrong, BITCH! Bwhahaha! 

Image result for American Horror Story Cult Twin Clowns Grocery Store

Lastly, and my absolute favourite, the house from John Carpenter's Halloween is behind the Ice Cream truck. I screamed at the television.

Look, LOOK!!!

6) War for Sale, No Thank You Poster

No Thank You [Credit: Shepard Fairey]

I know very little about this poster, except for seeing it in books. I am a HUGE political nerd. However the great site had some information. "While 's character breaks down in her home upstairs, eagle-eyed fans may have spotted a poster by Shepard Fairey in the background that perfectly encapsulates Ally's political views in one image. Given that American politics form the backbone of this season's narrative, it should come as no surprise that the artist best known for creating the famous 'Hope' poster during Barack Obama's 2008 presidential campaign would feature here in some form."

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OK, kids and Witchlings, you now know as much as I do. If you saw something I didn't, share in the comments section or on my social media. Hopefully, even though I seriously doubt it this early, we'll get some burning answers to our burning questions like....

Is Oz Tate's demon child from AHS: Murder House? Will Ally grow a pair of titanium ovaries and stop screaming? When will Lena Dunham show up? Gaga? Emma Roberts? Finn Wittrock? OMG???

Night, my Witchlings,
Wendy, the NOT so good Witch

Witchcraft Movies Television TV Witch Witches Mature Themes Ryan Murphy Horror Murder 

Sunday, August 27, 2017

Instead of my usual Sunday news post...

I am going to boost the signal past the SPN and Pagan family. 
People in Texas are hurting. 
If you want to  help, 
text HARVEY to 90999.

This will make a $10.00 donation to the American Red Cross. 

Image result for American red Cross

Be blessed that your family is happy and healthy.
It's time to stand together and take care of one another.

Wendy, the NOT so good Witch

Sunday, July 30, 2017

How Witchcraft Became A Brand

By Corin Faife

There are many simple rituals practiced in the house that Katie Karpetz shares with her husband in Edmonton, Alberta, from yoga to herbalism to candle magic. In the morning, she often waits for inspiration to strike before posting a photo or found image to her Instagram feed, and the mood captured will go on to determine her activities for the day.

Running her online store, The Witchery, from her home is a mixture of mundane, structured tasks, and more spontaneous and esoteric work. Sometimes she’s tracking, packing, and sending orders for the many hundreds of items she ships out to her customers in twice-weekly mail batches. Other times, she’s tapping into her own experiences and the knowledge contained in her many books on magic to create new blends of oil or incense with mystical properties ("bring luck in a hurry," "use to draw love to you"), or to cast spells on behalf of clients.

Karpetz is one of many entrepreneurs blending a passion for the occult with an understanding of e-commerce to capture a share of the new economic activity surrounding witchcraft. “What I sell is basically what I’m interested in,” she says. “My business plan was always just, If I like it and no one else wants to buy it, well then I get to keep it!”

It’s a project that has been years in the making, starting as a hobby and slowly developing into a steady source of income. But it’s also something that taps into a trend, which may seem hidden or ubiquitous depending on the circles you frequent: Witchcraft has undeniably become cool again.

Katie Karpetz’s altar at home, featuring an urn with the ashes of a beloved cat.

In the last quarter of 2013, the trend forecasting agency K-Hole published a report that came to define the overriding fashion trend of 2014: normcore. The document argued that young millennials were bored of the advertising industry's doctrine of individualism through brand consumption, and were instead adopting a kind of radical conformity that favored unadorned clothing and knowingly mainstream tastes.

As a movement, “normcore” came and went — apparently there is only so long that the fashion world will entertain the idea of no style being a viable style — and two years later, the tastemakers at K-Hole published another report identifying the new cultural trends they had observed: Conformity was out. In its place?
Chaos magic.

Once again K-Hole was right on the zeitgeist. Individuality was back in, magic was cool, youth brands were making documentaries about covens in Bushwick, and seemingly everyone was carrying crystals. But belief in magic and witchcraft is old, far older than Christianity or any of the Abrahamic religions; it wasn't summoned into being by trend forecasters and it won't die out when the hype is over. So what does it mean in this cultural moment for witchcraft to be be both a spiritual practice and a brand aesthetic?

The range of products now marketed as having some connection to witchcraft and the occult is truly vast, and while physical stores selling occult items have had a modest presence in small towns and big cities across North America for decades, online retail has really allowed the trade in all things witchy to take off.

It’s now possible to sign up for monthly subscription boxes to deliver spiritual items to your door: The owner of one such business, Goddess Provisions, said her customer base has grown from 300 subscribers to almost 6,000 in the last year and a half. But the real gravitational centre of the online witchcraft economy is Etsy, the marketplace that has revolutionized the way handcraft makers of all kinds list and sell their products online.

A search on Etsy returns just over 28,000 results for the query "witchcraft," ranging from laurel wands to animal bones, leather-bound grimoires to tie-dye sigils. Data provided by the company confirmed that interest in witchcraft-related items has grown significantly, with searches up nearly 30% and purchases increasing by nearly 60% based on figures from 2015 to 2017. (In the past Etsy was involved in a small controversy over banning "metaphysical services" from making claims of efficacy, but the company permits the sale of a range of esoteric goods provided no concrete outcome is promised.)
One popular seller in the occult category is Burke & Hare Co., a store selling “darkly inspired” candles and home decorations from a studio in Providence, Rhode Island. The store is a typical part of what could be called the auxiliary industry of occult products: items that are not claimed to be in themselves magical but draw on the general imagery and, according to owner Erica Molitor, are purchased by customers who may well have deeper ties to the lifestyle.

"The witchy, occult community is very close-knit, so I have support from a lot of people in the community and other artists who are doing the same thing," Molitor says. “So although half of my candle line is just about the aesthetic, the reason it does so well is because of the community.”
In just over five years of operation, Molitor has seen her business grow steadily, a sign that she, like many others, has tapped into a market that is booming, and a potential client base that is larger than you might imagine.

In her 2015 book Witches of America, Alex Mar estimates that there are up to 1 million people practising some form of Paganism in the US (which for comparison is only slightly less than the number of Buddhists at 1.2 million). She writes of witches gathering in the deserts of California, the forests of Illinois, apartments in New Orleans, all embodying a wide variety of traditions and lifestyles with deep roots. But Mar's study, which saw her spend time with witches across the country over a number of years, also happened to coincide with a resurgence of interest in witchcraft in popular culture.

"When I started working on [the book], I would talk to people about the project and be met with blank looks," Mar told BuzzFeed News. "Then by the time the book came out, I was being accused of riding a trend. So much had changed in that few years ... There was much more of an appetite for the occult as being a hip thing."

Part of this hipness, Mar says, translated into artists or musicians dabbling with the use of occult symbolism in their work (of which the early 2010s musical genre of “witch house” was a precocious but illustrative example), but it has also become an aesthetic that can lend an air of cool to products targeted at consumers with only a passing interest in the lifestyle.The number of Americans practicing various religions.The number of Americans practicing various religions.

In interviews for this article, buyers, sellers, and practicing witches frequently mentioned a new way they were connecting with one another online: Instagram. Over the past few years the image-sharing app has become a gathering place for younger witches, where tags like #witch (more than 3.7 million posts), #witchy (more than 600,000) and #witchesofinstagram (nearly 700,000) bring a community together around a constellation of imagery, including jewelery, makeup, séance circles, tattoos, astrological charts, herbs, crystals, and lots of vaguely gothic selfies.

It's on Instagram that witchcraft as a spiritual practice and witchcraft as a lifestyle signifier really start to merge. As in any other Instagram community, certain accounts emerge as “influencers,” usually combining a recognizable visual identity with taste-making content and a distinctive voice that followers can relate to, creating a connection that feels personal even as it's transmitted to a large audience. Perhaps the archetype here is Seattle-based Bri Luna aka @thehoodwitch, whose 155,000 followers delight as much in her extravagantly manicured nails as her knowledge of spells and crystals.

Like many Insta-influencers in other fields, The Hoodwitch's carefully curated content is uploaded for free in order to draw attention to a for-profit venture: an online store selling the products pictured in Luna's elegant hands. Some posts feature items directly for sale — divination cards, occult books, tote bags printed with the names of goddesses, and of course the ubiquitous crystals — but far more of them are illustrations, found images, and quotes without any apparent marketing push, helping to build loyalty from an audience that will translate into sales further down the line. It's very much a business model of the social media age, and highlights the fact that — for those who can master the elusive combination of branding, content, and product — witchcraft pays. (The Hoodwitch was approached for comment for this piece but declined.)

Elisabeth Krohn, founder and editor of Sabat — described by Vice as “the magazine for the modern witch” — also knows a thing or two about building a brand around witchcraft. Krohn came up with the idea as a journalism student at the London College of Fashion, inspired by nostalgia for the somewhat kitschy period of pop cultural interest in witchcraft in the ’90s and early ’00s (think Charmed or Buffy the Vampire Slayer) and the sense that there was a desire for a more modern take.

Krohn explained that these trendy representations can serve as an entry point for the cultivation of a more serious interest.
"I realized that a lot of people who are deeper into witchcraft than me first got into it through pop culture references — that's more accepted in the community than I first thought," she said. "In terms of being attracted because of the aesthetic, if someone picks up a pentagram because they think it's a cool symbol, it doesn't mean they won't then learn the meaning behind it, too."

"I think for most [young witches] now, it's a combination of the aesthetic and the search for something spiritual," she added.

Unlike other religions, witchcraft is a loosely defined set of practices with no canonical text at its heart. Some witches are followers of disciplines like Wicca, founded by Gerald Gardner in England in the 1950s, but many others choose an eclectic, self-made path drawn from aspects of Paganism, Wicca, chaos magic, herb lore, or other practices. Tess Giberson, an artist and witch based in Ottawa, is passionate about the DIY aspect of witchcraft, and says that energy and intention are more important for casting spells than expensive equipment. ("You don't need a $150 cauldron to burn herbs," Giberson said in a Facebook chat. "You just need a heat proof dish.")

But Giberson also says that the increasing appetite for occult items has led to problems of cultural appropriation, where incentives are created for mainstream vendors to market products with little respect for their deeper significance. Urban Outfitters, for example, was selling a smudge kit for $39.99 that mimicked Indigenous practices.

"I think it's important to note the correlation between a sparked interest in witchcraft and increased oppression against marginalized folks," Giberson said, pointing to Silvia Federici's feminist history Caliban and the Witch by way of evidence. It's a sentiment that Gordon White, host of the Rune Soup podcast, also echoed in an interview, stating that the current turn towards the occult is unsurprising given the troubled state of the world: Magic has always been a tool of the underdog, less structured than any system of priests and clergy, more resistant to control thanks to its archaic origins and anarchic, individualist spirit.

Surges of interest in witchcraft have happened on a roughly 20-year cycle since the mid-20th century, often corresponding to changing perceptions of women in popular consciousness and new strains of feminist thought. In the 1970s, a boom of interest in the occult throughout the cultural underground dovetailed with a growing recognition of female potency in both creative and sexual terms, and a form of spirituality focused on the Goddess(es) and the divine feminine. Then in the 1990s, movies like The Craft and TV shows like Charmed, Buffy, and of course Sabrina the Teenage Witch tapped into another cultural archetype of the time, portraying witches as women who were independent and quietly powerful, not to mention smarter than the mostly oblivious men in their lives.
We’re now seeing another of those high-water marks, spurred on by the hyperconnected world of social media. It’s no surprise then that another witchcraft renaissance is at hand, and one that makes heavy use of the same media to disseminate text and image representations of the craft in a way that speaks to a new audience of digital natives.

The same media that connects witches to one another also connects the subculture to the world of business, brands, and profit, and it is hard to say exactly how long the modern incarnation of witchcraft can hold out against capitalism's rapacious desire to commodify the authentic symbols of rebellion, or the tendency of trends (by definition) to come and go. But if the pattern of past cycles holds true for the future, it won't be the last time that pop culture rediscovers witchcraft — and in the meantime, as interest waxes and wanes like the moon, the witches will be there, waiting.

Corin Faife is a freelance journalist covering technology and social issues, based in Montreal, Canada.